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In most cases I try to match the excerpted movement to a corresponding place in the podcast. In this program, for example, the opening piece is the first movement of Mozart's first piano concerto. The middle of the three selections is the second movement of Rachmaninoff's Second Piano Concerto, where it fills a similar role in the composition. And the final work is the finale to Bloch's Violin Concerto.
Does this kind of programming make the show flow better? I think so, but I'm alwasy open for suggestions. What do you think?
- Ralph
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